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  <a href="/press--2/blog/2863913/no-depression">NO DEPRESSION</a>&nbsp;
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  <div class="message"><a href="http://www.nodepression.com/profiles/blogs/review-bronwynne-brent-deep" style="margin: 0px; color: black; text-decoration: none;" target="_new">Bronwynne Brent - Deep Black Water</a><a contents="Bronwynne Brent - Deep Black Water&amp;nbsp;posted by Josh Hathaway June 16, 2011 VIEW " data-link-label="" data-link-type="url" href="http://www.nodepression.com/profiles/blogs/review-bronwynne-brent-deep" target="_blank"> posted by Josh Hathaway June 16, 2011 VIEW</a><br style="margin: 0px; color: rgb(83, 83, 83); font-family: 'Open Sans', sans-serif; font-size: 13px; line-height: 19.5px;"><span style="color: rgb(83, 83, 83); font-family: 'Open Sans', sans-serif; font-size: 13px; line-height: 19.5px;">It's become nearly impossible for me to take emerging singer/songwriters seriously with the glut </span><span style="color: rgb(83, 83, 83); font-family: 'Open Sans', sans-serif; font-size: 13px; line-height: 19.5px;">of them playing coffeehouses and self-releasing haphazardly recorded "albums" independently </span><span style="color: rgb(83, 83, 83); font-family: 'Open Sans', sans-serif; font-size: 13px; line-height: 19.5px;">on CDBaby and other internet outlets these days, but every once in awhile something jolts my</span><br style="margin: 0px; color: rgb(83, 83, 83); font-family: 'Open Sans', sans-serif; font-size: 13px; line-height: 19.5px;"><span style="color: rgb(83, 83, 83); font-family: 'Open Sans', sans-serif; font-size: 13px; line-height: 19.5px;">jaded indifference and makes me take notice.</span>
<p style="margin: 1em 0px; padding: 0px; line-height: 19.5px; color: rgb(83, 83, 83); font-family: 'Open Sans', sans-serif; font-size: 13px;">Bronwynne Brent's <i style="margin: 0px;">Deep Black Water</i> will dare me to suffer through well-meaning but inspiredpap hoping lightening will strike twice, and it will still be worth it; this is the kind of record music lovers hope and dream is still being made despite evidence to the contrary on mainstream broadcast and even internet outlets.</p>
<p style="margin: 0px; padding: 0px; line-height: inherit; color: rgb(83, 83, 83); font-family: 'Open Sans', sans-serif; font-size: 1em;">Brent's voice was strong enough to pierce my resistance but what really won me over was the way its <span style="font-size: 1em; line-height: inherit;">warmth and richness wraps itself around you and adds dimension to the poetry and narratives in her </span><span style="font-size: 1em; line-height: inherit;">lyrics. In addition to voice and talent, one thing that separates </span><i style="font-size: 1em; line-height: inherit; margin: 0px;">Deep Black Water</i><span style="font-size: 1em; line-height: inherit;"> from the glut of </span><span style="font-size: 1em; line-height: inherit;">singer/songwriter records is the production and arrangements. Mike McCarthy produced the set and </span><span style="font-size: 1em; line-height: inherit;">joining Brent on acoustic guitar are Ian McLagan (Small Faces) on organ, Brent's award-winning sister, </span><span style="font-size: 1em; line-height: inherit;">Eden, on piano, and David Grissom (Joe Ely, John Mellencamp) on guitar.</span></p>
<p style="margin: 0px; padding: 0px; line-height: inherit; color: rgb(83, 83, 83); font-family: 'Open Sans', sans-serif; font-size: 1em;"> </p>
<p style="margin: 0px; padding: 0px; line-height: inherit; color: rgb(83, 83, 83); font-family: 'Open Sans', sans-serif; font-size: 1em;">There's something delicious about opening a record with a gentle, tender song called "Like The Thunder." It's a bold title yet everything about the song save for its heart is small and understated. "Building A Wall" is a stirring piece of countrified folk with weepy steel guitar accents. "Baby We'd Be Fine" echoes classic Carole King combined with a touch of '90s Lilith Fair singer/songwriter aesthetic. "You're The Ocean" works similar terrain and Ricky Ray Jackson adds more gorgeous pedal steel. "Love Like A Web" opens with Brent's voice and her acoustic guitar with subtle steel guitar cries lurking beneath, followed by an electric slide guitar solo that burns slowly, carrying the song to the end. The title track is simple, lovely and heartbreaking.</p>
<p style="margin: 0px; padding: 0px; line-height: inherit; color: rgb(83, 83, 83); font-family: 'Open Sans', sans-serif; font-size: 1em;"> </p>
<p style="margin: 0px; padding: 0px; line-height: inherit; color: rgb(83, 83, 83); font-family: 'Open Sans', sans-serif; font-size: 1em;">Adam Duritz <a href="http://blogcritics.org/music/article/introducing-saturday-nights-sunday-mornings-interview/" rel="nofollow" style="margin: 0px; color: rgb(121, 0, 0); text-decoration: none;">said</a>, "The internet is the best thing that has ever happened to music in the history of music," and he's right.  Music listeners always had to wade through teeming piles of rubbish to find the gems but had to overcome the additional obstacle of gatekeepers restricting the flow of music and ideas. The web has unleashed a torrent of underwhelming amateurs but it has also given us the power to seek out treasures. <i style="margin: 0px;">Deep Black Water</i> is one of them.  -  Josh Hathaway</p></div>
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  <a href="/press--2/blog/2863912/bronwynne-brent-s-deep-black-water-is-one-of-saleski-s-top-albums-of-2011-mark-saleski-something"> Bronwynne Brent&#39;s Deep Black Water is one of Saleski&#39;s Top Albums of 2011.    Mark Saleski Something Else! </a>&nbsp;
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  <div class="message"><a contents="4.&amp;nbsp;Bronwynne Brent&amp;nbsp;–&amp;nbsp;Deep Black Water &amp;nbsp;​VIEW" data-link-label="" data-link-type="url" href="http://somethingelsereviews.com/2011/12/16/the-friday-morning-listen-mark-saleskis-top-albums-for-2011/" target="_blank">4. <b style="font-weight: bold; ">Bronwynne Brent</b> – <i>Deep Black Water  </i>VIEW</a>
<p>I swear, I must have tried to review this at least five times. At every attempt, I would get lost in this lady’s voice and kind of forget what I was doing. Don’t worry, I’ll try again soon.</p></div>
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  <a href="/press--2/blog/2863910/americana-round-up-leicester-bangs">Americana Round-Up Leicester Bangs</a>&nbsp;
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  <div class="message"><p>by Sandra G.<br><br><a contents=" Bronwynne Brent – Deep Black Water&amp;nbsp;(Independent)" data-link-label="" data-link-type="url" href="http://www.leicesterbangs.co.uk/july11-12.html" target="_blank"><strong style="color: rgb(83, 83, 83); font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 19.5px; margin: 0px;">Bronwynne Brent – Deep Black Water</strong><span style="color: rgb(83, 83, 83); font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 19.5px;"> </span><em style="color: rgb(83, 83, 83); font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 19.5px; margin: 0px;">(Independent)</em></a></p>
<p class="maintext" style="margin: 1em 0px; padding: 0px; line-height: 19.5px; color: rgb(83, 83, 83); font-size: 13px; font-family: Arial, Helvetica, sans-serif;">New Orleans singer-songwriter Bronwynne Brent recorded her debut in Austin, Tx. with Mike McCarthy producing and a stellar band, including David Grissom on guitar and The Faces’ Ian McLagan on Hammond B-3.  That’s a heavyweight cast for an artist recording a debut album, but their judgement was good, and “Deep Black Water” is a super album of gothic Americana and indie folk songs. The title track is sheer perfection, but it’s not alone. “Like The Thunder” is just beautiful, a haunting pedal steel guitar snakes around Brent’s words, and “Tell Be Sweet” is a devastating love song. Fans of Jesse Sykes and Joanna Newsom should hunt a copy down.<br style="margin: 0px;"><br style="margin: 0px;"> </p></div>
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  <a href="/press--2/blog/2863909/maverick-magazine">Maverick Magazine </a>&nbsp;
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  <div class="message"><a contents="Maverick Magazine by Laura Bethell&amp;nbsp;VIEW Bronwynne Brent - DEEP BLACK WATER&amp;nbsp;" data-link-label="maverickreview.jpg" data-link-type="file" href="/files/140820/maverickreview.jpg" target="_blank">Maverick Magazine by Laura Bethell VIEW<br>Bronwynne Brent - DEEP BLACK WATER </a><br><br>Deep and sensual Americana/folk singer-songwriter—for an independent debut this is of very high quality… Bronwynne Brent is a contemporary folk singer-songwriter residing in New Orleans. Her debut album DEEP BLACK WATER explores a seamless mix of Americana and folk, with a voice that is deep and resonating. Produced by Mike McCarthy (Heartless Bastards and Patty Griffin) in Austin, Bronwynne is accompanied by Chris Maresh on bass, J.J. Johnson on drums, David Grissom on guitar, Ricky Jay Jackson on pedal steel and Ian McLagan on Hammond B-3.<br><br>Opening with Like The Thunder her glorious vocals are toned and sensual, while her songs are sensitive and compelling. The title track Deep Black Water is a beautiful song, heartfelt and sorrowful, with her folk style prominently gliding throughout. Tell Me Sweet is an acoustic mellow number, almost sorrowful about losing someone you want to stay. The sweet tones of her voice are hypnotic. Wrecked My Mind is a much cooler song, soulful and gutsy, capturing the vibrancy of her performance. Thankfully is another favourite of mine on this record— the harmonies giving it a slight edge and variation in sound to what you become used to by the end of the album. Overall this record is of very high quality for an independent debut and a very promising showcase of this inspirational and highly talented singer-songwriter.</div>
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  <a href="/press--2/blog/2863903/the-north-coast-journal">The North Coast Journal</a>&nbsp;
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  <div class="message"><a contents="Bronwynne Brent -&amp;nbsp;Old Town Coffee &amp;amp; Chocolates, Eureka by Mark Shikuma June 22, 2012 &amp;nbsp; VIEW" data-link-label="bronwynne-brent-music-in-review-the-journal.pdf" data-link-type="file" href="/files/140821/bronwynne-brent-music-in-review-the-journal.pdf" target="_blank">Bronwynne Brent - Old Town Coffee &amp; Chocolates, Eureka<br>by Mark Shikuma June 22, 2012   VIEW</a>
<div>
<br>It came to me by blind luck or coincidence. Either way, it was fortuitous that I found myself in Old Town Eureka on a nearly-abandoned, soggy, gray evening. Having heard the Austin-based singer-songwriter Bronwynne Brent on the radio the day before (she had made an in-studio appearance on KHUM),I was struck by her strong, distinct voice that carried a faint Irish or British lilt, and I wanted to hear her live in Old Town.  Her songs contained dark narratives of extinguished relationships. It wasn’t the straightforward heartbreak stuff. The lyrics carried a worldlier, older perspective.</div>
<div>
<br>The native Greenville, Miss. songwriter self released her debut full-length Deep Black Water, last year — falling under the radar of most places outside the greater Austin area. Produced by Mike McCarthy, best known for his longtime production work with Spoon, her 2011 debut sparkled with pop-influenced folk songs wrapped in a crisp, alt. country sound. Her backing band, comprised of some of Austin’s finest session musicians, included Faces keyboardist Ian “Mac” McLagan and pedal steel player Ricky Ray Jackson. Live, backed with only her guitar and harmonica, her often-melancholic songs resonated more powerfully in stark and intimate arrangements. Through her words and confident voice, the songs highlighted Brent’s eye not on a relationship’s flower, so to speak, but its thorns. In some regards, her narrators are similar to Richard Thompson’s — in their fascination, if not celebration, of characters that live on the darker side of the emotional street.</div>
<div><div> <br>In two 45-minute sets consisting of material mostly from Deep Black Water, Brent’s self-effacing demeanor and Southern politeness often deflected any attention from the singer, per se, and allowed all the focus to be given to each song. “When the heat is on, and the storm is moving in,” she sang, in the album’s title track, “lightning is bound to burn you, like an unassuming friend. … I want to swim in your deep black water. Make me whole again.” That’s the beauty of witnessing Brent perform: You are caught off-guard, not prepared for such dark, poetic imagery being delivered by a shy, modest messenger.<br><br>Brent also peppered her set with a number of excellent covers, including Steve Forbert’s “Tonight I Feel So Far Away From Home,” Elizabeth Cotton’s classic “Freight Train” and a superb version of Townes Van Zandt’s “Pancho &amp; Lefty.” She also covered several compositions penned by her songwriting mother (two of Brent’s sisters are also singer-songwriters).<br><br>Just past the coffee shop’s large window, light rain and the last of the day’s light were coming down onto the empty gazebo. The setting served as a perfect backdrop to Brent’s double-edged lines, her subtle and adept musicianship, her resonant vocals and her depth as a songwriter.</div></div>
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<br>http://www.northcoastjournal.com/humboldt/bronwynne-brent/Content?oid=2133353</div></div>
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  <a href="/press--2/blog/2863902/the-jasper-local">The Jasper Local</a>&nbsp;
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  <div class="message"><a contents="by Bob Covey Jasper Local September 1, 2013 &amp;nbsp; &amp;nbsp;VIEW" data-link-label="" data-link-type="url" href="http://www.thejasperlocal.com/culture.html" target="_blank"><em>by Bob Covey<br>Jasper Local<br>September 1, 2013    </em><strong>VIEW</strong></a><br><br>Bronwynne Brent admits she often feels like she doesn’t belong.<br><br>“I’m in limbo,” she said in her Mississippi drawl. “I sometimes don’t know what drives me to do this life.” Perhaps Brent is from a different time. After all, most of her songs are about love; she pines for the days when an artist wouldn’t have to worry about the complications of the internet; and she hasn’t left the U.S. since she was a little girl. “Canada’s a long way off,” she said about her impending trip to the Jasper Folk Music Festival. If Bronwynne’s southern decency and Mississippi roots begin to box the singer-songwriter in, her music quickly defies the stereotypes—and any genres that critics might try to place her in. Her progressive sound fuses the folk and blues that played on her parents’ turntables with poignant, soul spinners which make indie kids peek over their horn rims. While Brent’s voice is velvet, her backing band provides spooky guitar bends and clanky piano riffs—sounds which tumble to their own cyclone in and around the Austin music scene.<br><br>Listening to Brent is like discovering that gorgeously upholstered chair is actually meant for sitting. “The way I see it is don’t try to compare yourself with others,” she said.  <br><br><img src="//images.zoogletools.com/u/60358/3b71b1388b7b2e52f1b21df92c830e9db559040a/original/jasper-local.png?1389981470" class="size_l justify_left border_" /></div>
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  <div class="message"><a contents="Music Review: Bronwynne Brent – Deep Black Water By Jordan Richardson &amp;nbsp;VIEW" data-link-label="" data-link-type="url" href="http://blogcritics.org/music-review-bronwynne-brent-deep-black/#ixzz1WYp6HMwl" target="_blank">Music Review: Bronwynne Brent – Deep Black Water<br><em>By Jordan Richardson  </em><strong>VIEW</strong></a><br><br>Born and raised in the Mississippi Delta, singer/songwriter <a href="http://www.bronwynnebrent.com/deepblackwat.cfm" target="_blank" title="Bronwynne Brent">Bronwynne Brent</a> is entrenched in the rough authenticity only those who really know can claim. Her Deep Black Water, released earlier this year, is evidence of just how much she knows.
<p>Some have called the record “gothic Americana,” while others resort to catchalls like “indie folk” or “roots” or whatever. What this is is an exploration of soulfulness and of reality, something done with the spotlight turned away and the limelight shut off. While Deep Black Water begs to be heard, part of it feels like a private conversation we’re intruding on.<br><br>Brent doesn’t seem to care about accolades, but she’s going to get a lot of them. Her forward-thinking approach mixes in the bits of neo-soul, making the rounds today with the roots and Americana vibes of yesteryear. She rises like an angel from murky waters, rumbling all the while about damaged relationships and the threadbare shards of love.</p>
<p>But whilst Brent travels familiar territory, her nose for sonic splendour creates a different set of standards to live by.</p>
<p>Her debut record opens with “Like the Thunder,” a poignant piece of music that has her frank, sharp quality speaking candid words. “If it’s crying time, just tell me so,” she sings over soft wave of sound.</p>
<p>Featuring the pedal steel guitar of Ricky Ray Jackson, the drums of J.J. Johnson, the bass of Chris Maresh, the guitar of David Grissom, and the Hammond B3 of Ian McLagan, Deep Black Water doesn’t want for intricate instrumentations. Brent’s voice and guitar are gifts.</p>
<p>More of the “nobody’s watching” honest populates the record on tracks like the painfully gorgeous “Secret” and the beautiful “The Ocean.”</p>
<p>Brent’s not averse to kicking things up into a higher gear, however, with stompers like “Building A Wall” and “Wrecked My Mind.” The latter had me thinking about Amy Winehouse with a folk slant, with Brent’s sassy diction calling to mind the deceased marvel. McLagan’s splashes of Hammond B3 will take listeners to church, Lord have mercy.</p>
<p>An exquisite record of soul-spilling radiance, Bronwynne Brent’s Deep Black Water is well worth sinking into with both feet. The clever singer/songwriter’s debut, produced by Mike McCarthy, should be heard and heard often by those with an appreciation for goodness and beauty.<br><br>http://blogcritics.org/music-review-bronwynne-brent-deep-black/#ixzz1WYp6HMwl</p></div>
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